Out Of The Blue Poem Creative Writing

Out Of The Blue Poem Creative Writing-17
Barbie squeezes the small opening under her chin over Ken’s bulging neck socket.

Barbie squeezes the small opening under her chin over Ken’s bulging neck socket.His wide jaw line jostles atop his girlfriend’s body, loosely, like one of those nodding novelty dogs destined to gaze from the back window of cars. Reviewing, you should see that the literary genres—poem, essay, novel, are replete with images. A diary keeps track of something—experiences, feelings, observations, and is usually kept private.

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With the text message, its purpose is its one-time use of sharing information: In our above example, this person is going to be late and arrive around . With the diary entry, the information is more complex.

It asks you to create with an attention to the concrete, physical world rather than telling with abstract words which produce thoughts about the speaker’s experience or ideas instead of feelings in the reader’s body through the five senses.

In the following poems, images can not only be seen, but heard, tasted, smelled, and felt.

Here are some examples of the different types of imagery we use in poetry. (Mike Dockins, from “American Love Story”) …Oh prayer for the hat to be a puller for her even as it circles the city or enters someone else’s flat, hat have an arm to keep her from his fist, moon and train, moon and train, moon and train: pull her, pull her, pull her.

Hanlon, the president, said the college would create new spaces for social activity as alternatives to Greek houses, give faculty members more of a role in residential life and provide students more extensive training on preventing sexual assault. Not so in the case of the text message, diary entry, news article, or advertisement. To understand these ways of writing, we should consider their purposes. In fact, in the above example, the writer hyperbolically states that if Jack were to read her diary she would die. In the case of the news article and advertisement, the point is to provide information. In fact, the answer might depend on time and culture.

Whether it’s the snowflake melting on a rug in the opening of my poem “The Hitchhiker” (6), or the sun glaring down “until a line of brown spread along the edge of each green bayonet” in John Steinbeck’s opening paragraph to his novel Grapes of Wrath (4), or “the counter’s long polished sweep, its shining face” in Naomi Shihab Nye’s essay “Mint Snowball” (7), we as readers enter the world of the text through its images which evoke our senses. Since the only intended audience for a diary is the writer him/herself, there is little if no attention given to how the writing will affect an outside audience.(Robert Evory, from “Garlic”) I love the sound of the bone against the plate and the fortress-like look of it lying before me in a moat of risotto, the meat soft as the leg of an angel who has lived a purely airborne existence.(Billy Collins, from “Osso Bucco”) The fish rises with a red body in the green pond.These poems describe a pair of pants, a Barbie doll, and a garlic clove the way we would see them if we were holding them in our hands.And with Billy Collins in his poem “Osso Bucco,” we get the sense that we are looking closer and closer and closer at the meat on his (on our! In these examples, the reader must be—cannot avoid being—sensually immersed in these images, which trigger the five senses—sight, taste, smell, touch, and hearing—through memory and imagination to create an actual experience for the reader.What types of interpretations does this image invite? And this engagement doesn’t happen by sharing ideas, feelings, or experiences, by telling the reader about your experiences—it happens by creating them on the page with words that evoke the senses. The adage “Show don’t tell” is shorthand for the most important tenet of creative writing. The sun flared down on the growing corn day after day until a line of brown spread along the edge of each green bayonet. We licked enchiladas from the crescent moons of each others’ chins. In the excellent glossary in his book How to Read a Poem and Fall in Love with Poetry, poet came into English in the sixteenth century and has been with us ever since to denote a form of fabrication, a verbal composition, a made thing.Many use more than one kind: She sinks her eight ball, drinks me under the table. Each sweet syllable seems like there ought to be a crush of sugar on your tongue, a tiny reward just for saying the word.These milk-balls, fried golden and soaked in sugar syrup, are glassed up in a luxuriously oversized jar that my grandmother collects under her spice table to store homemade mango and spicy lime pickles. So I’ve just been avoiding him—which is so stupid because now he’s gonna think that I don’t like him, which is totally not true. In the last part of May the sky grew pale and the clouds that had hung in high puffs for so long in the spring were dissipated. Earlier, we braked for a tabby crossing the road and laughed. Richard Hugo once wrote that in a poem, “I caution against communication because once language exists only to convey information, it is dying.” What does Hugo mean by this? In contemporary times, many describe poetry as being a tool for self-expression. I don’t want to lie or be a fake, but I don’t want him to think I’m not fun to be around. Hanlon said, and so “hard alcohol will not be served at events open to the public, whether the event is sponsored by the college or by student organizations.” 4.___ To the red country and part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth. The last rains lifted the corn quickly and scattered weed colonies and grass along the sides of the roads so that the gray country and the dark red country began to disappear under a green cover. And the most successful ones, the masters like John Steinbeck, are able to access our brains in the same way that real-life experiences do, producing in the reader feelings and thoughts and insights generated intelligently by the processing of sensory information. In some cultures poetry is important in ritual and religious practice.

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