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Jenny Holzer is an American Neo-Conceptualist, internationally known for her text-based works that interrogate the effects of rhetoric, which are often projected with light, inscribed on enduring materials such as marble and bronze or printed on paper.
Originally fly-pasted around New York City, the impactful texts that make up Inflammatory Essays spotlight Holzer’s ongoing concerns with power, social control, abuse, consumption and sex.
The assertive and demanding statements are as biting and painfully prescient today as when they were first produced between 19.
Set of 10 offset lithographs on variously coloured paper packaged in original plastic seal bag25 x 25 cm Comes with Certificate of Authenticity10 sets produced for ICA in 1993 (Unlimited APs)£3000 (£2250 ICA Red Members)The Institute of Contemporary Arts is delighted to offer Jenny Holzer’s Inflammatory Essays, 1979–1982, which is being sold in honour of the 25th anniversary of this seminal project being produced for the ICA.
The essays feature provocative statements inspired by the writings of communists, anarchists, religious and liberal thinkers and popular literature.
Nine of the ten essays have been produced in the original font that Holzer initially used in 1979.
One, , has been fabricated in the more instantly recognisable font for the essay sets that Holzer began to use later on in their production.This individual insertion distinguishes the prints offered here as being produced exclusively for the ICA. Holzer received the Golden Lion at the Venice Biennale (1990); the Skowhegan Medal (1994); and the Diploma of Chevalier (2000) from the French government.The sets come packaged in an original plastic sealed pocket. Major exhibitions include Neue Nationalgalerie, Berlin (2001); Contemporary Arts Museum, Houston (1997); Dia Art Foundation, New York (1989); and Solomon R. Since 1996, Holzer has organised public light projections in cities worldwide.In the late 1970s she put aphorisms on billboards, signs, and posters hung throughout the streets of Manhattan.Titled Truisms (1977), the series established the basis of Holzer's art, namely, using words on media and advertising materials such as electronic signboards, T-shirts, metal plaques, and, her most recognized format, the led (light-emitting diode) with its perpetual dot-matrix flow.Originally presented anonymously on the streets of New York City, the mass-produced short texts that make up cover a variety of subjects that have been ongoing concerns throughout Holzer's career, including power, social control, abuse, consumption, and sex.Declarative and forceful in tone, they embody her distinctively crafted voice, one that is omniscient, detached, and yet enraged, shifting between multiple identities.Lorde, for her part, has increasingly upped her own interest in the art world.Jenny Holzer American, 1950- For Jenny Holzer (born in Gallipolis, Ohio), language is a medium.Only dire circumstance can precipitate the overthrow of oppressors. Do not support palliative gestures; they confuse the people and delay the inevitable confrontation.The old and corrupt must be laid to waste before the just can triumph. Delay is not tolerated for it jeopardizes the well-being of the majority. The reckoning will be hastened by the staging of seed disturbances.